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Author: Bormiar
The Security Council,
ACKNOWLEDGING the existence of government-owned art collections within nations and the buying and selling of individual artworks,
DISTURBED that Koem Kab’s museums have collections so large and high-valued that masterpieces are not recognized for their beauty, instead glanced at due to the sheer amount of them. This disregard for art has been caused by the following:
1. Koem Kab’s museums’ abundance of art from the world’s greatest nations, who have contributed internationally and been ranked highest in international censuses for a long time. Koem Kab’s museums have an obsession with collecting art from these nations, a trait shared by many, but fulfilled by few.
2. Koem Kab’s active attempts at monopolizing art from NERVUN, of which Koem Kab has a staggeringly large number of pieces, which easily places Koem Kab with the largest NERVUNian collection, and more than could be adequately displayed.
3. Koem Kab’s decision to hoard the artificially high-valued art from Queen Yuno, of which Koem Kab easily has the most in the world.
4. Koem Kab’s complete unwillingness to sell art unless the buyer is willing to meet unreasonably high prices,
AWARE of the effects of hoarding, which not only prevents widespread learning about many prominent nations, but also, as stated above, discredits the art,
NOTING the importance of the distribution of art over a large number of nations, as it means that even if a government ceases to exist and its museums are abandoned, the knowledge and beauty they contained will continue to exist in the world.
DISGUSTED at the methods Koem Kab has used to develop such an abnormally large and high-valued collection, including:
1. Intentionally avoiding the expenses necessary to expand a nation’s museums, which include construction, security, transportation, and time spent during construction with the museums unable to profit. Instead of renovating museums, Koem Kab usually chooses to disrespectfully keep art in the warehouses of its largest colony, Greatest Chernobyl. These masterpieces sit here until they can be sold to a grateful owner.
2. Blatantly increasing the value of useless art from nations such as International Organization, Ortsync, Griet, Divine Will VII, Vacuole, and many more by selling the art to a nation controlled by Koem Kab for a high price, which raises the value and thus the value of the collection. This causes Koem Kab’s art collections to appear to be worth thousands more than than they actually should be, thus misrepresenting the museum.
3. Koem Kab’s abuse of its fortune in order to buy cheap art. This can most-likely only be achieved if the nation has a large amount of wealth to prevent dropping. Stopping this “dropping” tactic from occurring prevents the naïve seller from getting a fair amount for the art, and discourages competition, as it often ends the bidding war,
4. Colonizing thousands of nations for the sole purpose of art production,
AWARE of the methods Koem Kab uses that are widely considered petty for nations with large collections, which includes transfer stealing and "pennybidding". “Pennybidding” is when a representative of a nation bids a negligibly small amount above the previous bid, intentionally causing frustration and extending bidding wars,
FURTHER AWARE that Koem Kab has contributed to the art value inflation. This has been done because the demand for popular art has not been met by the supply, so nations with lots of art from a single nation can demand much higher than its actual worth. This cost increase has made it more difficult for poor nations to own popular art, and ensured that most popular art will go to Koem Kab and other rich collectors.
CONCLUDING that Koem Kab has prevented growth of small museums, inflated art prices, stolen transferred bank, pennybidded, artificially raised art value, nearly monopolized ownership of some art, and hoarded,
Hereby condemns Koem Kab
The Security Council,
ACKNOWLEDGING the existence of government-owned art collections within nations and the buying and selling of individual artworks,
DISTURBED that Koem Kab’s museums have collections so large and high-valued that masterpieces are not recognized for their beauty, instead glanced at due to the sheer amount of them. This disregard for art has been caused by the following:
1. Koem Kab’s museums’ abundance of art from the world’s greatest nations, who have contributed internationally and been ranked highest in international censuses for a long time. Koem Kab’s museums have an obsession with collecting art from these nations, a trait shared by many, but fulfilled by few.
2. Koem Kab’s active attempts at monopolizing art from NERVUN, of which Koem Kab has a staggeringly large number of pieces, which easily places Koem Kab with the largest NERVUNian collection, and more than could be adequately displayed.
3. Koem Kab’s decision to hoard the artificially high-valued art from Queen Yuno, of which Koem Kab easily has the most in the world.
4. Koem Kab’s complete unwillingness to sell art unless the buyer is willing to meet unreasonably high prices,
AWARE of the effects of hoarding, which not only prevents widespread learning about many prominent nations, but also, as stated above, discredits the art,
NOTING the importance of the distribution of art over a large number of nations, as it means that even if a government ceases to exist and its museums are abandoned, the knowledge and beauty they contained will continue to exist in the world.
DISGUSTED at the methods Koem Kab has used to develop such an abnormally large and high-valued collection, including:
1. Intentionally avoiding the expenses necessary to expand a nation’s museums, which include construction, security, transportation, and time spent during construction with the museums unable to profit. Instead of renovating museums, Koem Kab usually chooses to disrespectfully keep art in the warehouses of its largest colony, Greatest Chernobyl. These masterpieces sit here until they can be sold to a grateful owner.
2. Blatantly increasing the value of useless art from nations such as International Organization, Ortsync, Griet, Divine Will VII, Vacuole, and many more by selling the art to a nation controlled by Koem Kab for a high price, which raises the value and thus the value of the collection. This causes Koem Kab’s art collections to appear to be worth thousands more than than they actually should be, thus misrepresenting the museum.
3. Koem Kab’s abuse of its fortune in order to buy cheap art. This can most-likely only be achieved if the nation has a large amount of wealth to prevent dropping. Stopping this “dropping” tactic from occurring prevents the naïve seller from getting a fair amount for the art, and discourages competition, as it often ends the bidding war,
4. Colonizing thousands of nations for the sole purpose of art production,
AWARE of the methods Koem Kab uses that are widely considered petty for nations with large collections, which includes transfer stealing and "pennybidding". “Pennybidding” is when a representative of a nation bids a negligibly small amount above the previous bid, intentionally causing frustration and extending bidding wars,
FURTHER AWARE that Koem Kab has contributed to the art value inflation. This has been done because the demand for popular art has not been met by the supply, so nations with lots of art from a single nation can demand much higher than its actual worth. This cost increase has made it more difficult for poor nations to own popular art, and ensured that most popular art will go to Koem Kab and other rich collectors.
CONCLUDING that Koem Kab has prevented growth of small museums, inflated art prices, stolen transferred bank, pennybidded, artificially raised art value, nearly monopolized ownership of some art, and hoarded,
Hereby condemns Koem Kab
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